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"BANG" - An Open Letter
Artist: Hafler Trio
Year: 1984
Country: United Kingdom
Label: Doublevision
Catalog No: Doublevision, DVR 4
Format: Vinyl Lp
Spezification: vg+/vg
5
Tracklist
A1
Suppressed Noise
A2 Inherent Aggression
A3 All Largely Propaganda
A4 A Sound & Colour Analogy
A5 Acoustic Lens Facsimile
A6 "BANG!"
A7 The Morality Of Sound
A8 The Location Of Detached Sounds
B1 Psychophon Installation Test Tape
B2 Location Screening Exercise
B3 The Limitations Of Science
B4 Echoes In The Body
B5 "Robolised" Atomium Dawn Chorus
B6 A Demonstration Of The Non-Medical Use Of Microphones
B7 Owl Ionisation Recording (1968)
A2 Inherent Aggression
A3 All Largely Propaganda
A4 A Sound & Colour Analogy
A5 Acoustic Lens Facsimile
A6 "BANG!"
A7 The Morality Of Sound
A8 The Location Of Detached Sounds
B1 Psychophon Installation Test Tape
B2 Location Screening Exercise
B3 The Limitations Of Science
B4 Echoes In The Body
B5 "Robolised" Atomium Dawn Chorus
B6 A Demonstration Of The Non-Medical Use Of Microphones
B7 Owl Ionisation Recording (1968)
Companies, etc.
- Phonographic Copyright (p) – Doublevision
- Copyright (c) – Doublevision
- Pressed By – MPO
Credits
- Lacquer Cut By – Porky (5)
- Performer [All Material By] – Andrew M. McKenzie*, Christopher R. Watson*, Dr. Edward Moolenbeek
- Sleeve – Fire (30)
Notes
Original recordings compiled & mastered at Storbreen, Sweden, 1972. Facilities provided by ROBOL. Sleeve by Fire, 1984.
All material by the Hafler Trio.
"...How, and at what point in the nervous system does the received signal induce the emission of a 'wrong' signal at the motor output? Is it the result, for example, of interference with the normal acoustic feedback, if any? Or what?"
Includes a double-sided black and white insert with photographs, notes on each track, and a selected bibliography of the works of Robert Spridgeon.
All material by the Hafler Trio.
"...How, and at what point in the nervous system does the received signal induce the emission of a 'wrong' signal at the motor output? Is it the result, for example, of interference with the normal acoustic feedback, if any? Or what?"
Includes a double-sided black and white insert with photographs, notes on each track, and a selected bibliography of the works of Robert Spridgeon.
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