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Appels - Voix Dans Un Vaisseau D'Airain - Froissements D'Ailes - Arsis Et Thésis / Lost Paradise - Violin Control

Artist: Michael Levinas / Thomas Kessler - Ensemble L'Itinéraire, Charles Bruck

Year: 1983
Country: France
Label: INA-GRM
Catalog No: INA-GRM M 821.10
Format: Vinyl-Lp
Specification:
0
(1 of 2 images)
InfoComments
Tracklist 
 
A1 –Michaël Levinas Appels 7:35
A2 –Michaël Levinas Froissements D'Ailes 2:49
A3 –Michaël Levinas Arsis Et Thésis Ou La Chanson Du Souffle 6:50
A4 –Michaël Levinas Voix Dans Un Vaisseau D'Airain, Chants En Escalier 8:04
B1 –Thomas Kessler Lost Paradise 12:55
B2 –Thomas Kessler Violon Control 11:26
Companies, etc.
  • Record Company – Musique Française d'Aujourd'hui
  • Published By – Éditions Salabert
  • Published By – Éditions Heugel
  • Published By – Éditions EFM
  • Recorded At – Studios INA-GRM
  • Phonographic Copyright (p) – INA-GRM
  • Distributed By – Harmonia Mundi France
  • Printed By – Montreuil Offset
  • Pressed By – CIDIS, Antony
Credits
  • Composed By – Michaël Levinas (tracks: A1 to A4), Thomas Kessler (tracks: B1, B2)
  • Producer [Regie], Edited By [Montage] – F. Bayle*
  • Technician [Technique GRM Des Dispositifs de Transformations] – J. Darnis*, R. Bulski*
Notes
Appels (Editions Salabert) pour 11 instruments
Froissements d'ailes (Editions Heugel)
Arsis et Thésis ou la chanson du souffle (Editions E.F.M.)
Voix dans un vaisseau d'airain, chants en escalier (Editions Salabert) pour 3 instruments, soprano et dispositif
Lost Paradise pour 5 instruments composed during the spring of 1975
Violon control pour violon et synthétiseur

Enregistrement GRM

Levinas' works here are electro-acoustic compositions. He uses filtered microphones and an idiosynchratic mixing of the amplified orchestra in order to transform their sound live (transformation en direct) into a research of the deep and hidden characteristics of the acoustic instruments.
Kessler wrote his works for acoustic and electronic instrument. It is up to the musician to decide how he is going to balance the two. In every piece there is an equal mix of electronic and acoustic instruments, who have to confront each other.

? 1978 INA-GRM

Gatefold jacket